affect the exposure
PHOTO LABORATORY: TIPS FOR TINTING PRINTS
Toning in the darkroom is one of the interesting techniques for processing photographs in film photography, which is also called “colorful monochrome.” With its help, you can more accurately convey the mood and atmosphere of photography. There are ways to easily color prints in many different shades, both warm and cold. Also, tinted prints can be stored longer and do not fade with time.
Selenium tinting
Easily accessible and easy to use, selenium toner is sold as a concentrate for dilution with water. Continue reading
FANTASTIC DROPS. PHOTO INSTRUCTIONS
Where to begin
In order to start photographing drops of water, you do not need a lot of equipment. Before you spend a lot of money on something that you would like to do, purchase a specialized installation as a magic solution for obtaining ideal drops of water, try to do everything manually to make sure that it is an interesting undertaking for you.
Fantastic photos with fancy drops and splashes that you see in photos on the Internet are obtained with a lot of experience, skills, lots of experiments. And this is a long process.
Fantastic drops. Photography instruction Continue reading
JERRY SCHATSBERG – MAN OF THE HOLLYWOOD REVIVAL
American photographer and filmmaker Gerald “Jerry” Schatzberg is known as the author of the famous Bob Dylan photo from the cover of the album Blonde on Blonde, as well as the owner of the Cannes Golden Palm Branch for the movie “Scarecrow” with Al Pacino.
However, his forty-year career is more than a list of major achievements, especially since it will take a lot of time to list them.
Jerry Schatzberg – one of the main characters of the Hollywood cinema “Renaissance” of the 70s of the twentieth century. Together with like-minded colleagues and colleagues, he returned to the cinema the importance of introspective storytelling. The emotions of his heroes are restrained, but only for later to be released as brightly as possible. At the same time, Schatzberg’s creative method is not like the “palette” used by contemporaries – Italian-Americans Scorsese, Cimino, de Palma. Continue reading
