CAN THE PHOTO BE USED AS A THERAPY FORM?
Photography is not only a form of art; it is also a means of expression and a way of conveying thoughts and feelings. One photograph can tell hundreds of different…

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MAGIC WINTER LANDSCAPES: HOW TO TURN A DIAMOND DUST INTO SUNNY PILLARS
The Japanese island of Hokkaido in winter colors is a treasury of objects for photography. Even if you wanted to shoot exclusively winter landscapes, your choice includes a number of…

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T-STOP VS F-STOP: WHAT DIFFERENCE?
T-STOP VS F-STOP: WHAT DIFFERENCE? One of the first things you come across in photography is F-stop (from focal length "focal length"). It, as a measurement of the lens, is…

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composition

HOW TO PHOTO THE NIGHT CITY. RULES, ADVICE, TALKS AND RECOMMENDATIONS

Photographer Matt Perry shows how to transform eye-catching cityscapes into breathtaking images while working harmoniously with the surroundings and city lights.

Photo by Matt Parry
Combine natural light with artificial sources. Sony A7 III, 24-70 mm, 49 s at f / 14, ISO 100

Natural light

City landscapes look great during the golden hour of sunrise and sunset due to diffused, warm light. The same applies to the “blue hour”: the period before sunrise or immediately after sunset, when the sun goes low enough below the horizon, and the sky takes on a blue hue, which becomes deeper, darker and richer, the further the sun recedes until the blue becomes in black.

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JOSEPH KUDELKA: GENIUS DOCUMENTARY PHOTOGRAPHER
In the treasury of the documentary photographer more than 100 famous works. He skillfully conveys his vision of the world and attitude to the situation through the camera lens, he…

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HOW TO MAKE INTERESTING ABSTRACT SMOKE PHOTOS
HOW TO MAKE INTERESTING ABSTRACT SMOKE PHOTOS How to make interesting abstract smoke photos Do you see a firebird? Keep reading to learn how to do this kind of magic.…

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JERRY SCHATSBERG - MAN OF THE HOLLYWOOD REVIVAL
American photographer and filmmaker Gerald "Jerry" Schatzberg is known as the author of the famous Bob Dylan photo from the cover of the album Blonde on Blonde, as well as…

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