MAGIC WINTER LANDSCAPES: HOW TO TURN A DIAMOND DUST INTO SUNNY PILLARS
The Japanese island of Hokkaido in winter colors is a treasury of objects for photography. Even if you wanted to shoot exclusively winter landscapes, your choice includes a number of…

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HOW TO MAKE CORRECTLY EXPOSED PHOTOS. PART TWO: EXPOSURE MANAGEMENT
Following the definition of the subject, as described in the first article, it is very important to learn how to control the exposure. We list the factors that affect the…

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PHOTOS OF NOBUSHI ARAKI - HIGH ART, EMOTIONAL EROTISM AND TABED TOPICS
Photographer Nobuyoshi Araki is one of the most controversial, complex and interesting photo artists of our time. It is unusual even for native Japan, not to mention the Western world.…

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your lighting conditions

HOW TO PHOTO THE NIGHT CITY. RULES, ADVICE, TALKS AND RECOMMENDATIONS

Photographer Matt Perry shows how to transform eye-catching cityscapes into breathtaking images while working harmoniously with the surroundings and city lights.

Photo by Matt Parry
Combine natural light with artificial sources. Sony A7 III, 24-70 mm, 49 s at f / 14, ISO 100

Natural light

City landscapes look great during the golden hour of sunrise and sunset due to diffused, warm light. The same applies to the “blue hour”: the period before sunrise or immediately after sunset, when the sun goes low enough below the horizon, and the sky takes on a blue hue, which becomes deeper, darker and richer, the further the sun recedes until the blue becomes in black.

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JERRY SCHATSBERG - MAN OF THE HOLLYWOOD REVIVAL
American photographer and filmmaker Gerald "Jerry" Schatzberg is known as the author of the famous Bob Dylan photo from the cover of the album Blonde on Blonde, as well as…

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WHAT IS VIBRATION SUPPRESSION IN PHOTO?
WHAT IS VIBRATION SUPPRESSION IN PHOTO? If you are looking for a new lens, then you are likely to come across some abbreviations. For example, a mark on the VR…

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SOMETHING ABOUT PRECIOUS LIGHTING FOR PORTRAIT SHOOTING
Behind every good lighting is a shadow that gives shape and size to the subject. The complex interaction between what you illuminate and what you keep in the shadows -…

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