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HOW TO USE TILT-SHIFT LENS FOR FOOD PHOTO
When it comes to food photography or food photography, the photographer’s arsenal has several perfect lenses. One of them is a tilt-shift lens. It allows you to creatively work with the depth of field and perspective of your photos. Tilt-shift lenses are often used in architectural photography – they solve problems with controlling perspectives and help visually align the “falling buildings” in the photo.
How to use tilt-shift lens for food photography
Read our article in which photographer Darina Kopcok helps to learn more about how these lenses are useful for food photography and food photography.
What is a tilt shift lens?
Commercial food photographers or still-life photographers constantly use tilt-shift lenses in their work. Such a lens cannot be called a “budget option”, but it is still worth investing in it if you plan to specialize in food photography and will often use it. Continue reading
WHAT IS A DECENTRATED LENS?
A decentralized lens contains one or more elements of an optical lens that are either shifted or tilted from its main axis. Such a shift or tilt of the lens elements can potentially lead to blurring / softness of parts of the image due to the divergence of light rays. While in many lenses you can observe very slight decentration of the optical elements, especially on super zoom, strong decentration and tilt can make the whole image blurry, because the lens cannot achieve good sharpness over the entire frame.
It is always useful to check the lens before buying, even if it is brand new. Unfortunately, despite the efforts of manufacturers to manufacture each lens, many things may go wrong once you get your copy. In some cases, this is the manufacturer’s fault (poor quality guarantee / low standards), and in some cases it’s the fault of some guy who casually throws a box with a lens during transportation. Unfortunately, these conditions can negatively affect the operation of the lens and create all kinds of problems. Decentration of lens elements is one such problem, as photographer Nasim Mansurov talks about in a blog post. Continue reading
PHOTOS OF NOBUSHI ARAKI – HIGH ART, EMOTIONAL EROTISM AND TABED TOPICS
Photographer Nobuyoshi Araki is one of the most controversial, complex and interesting photo artists of our time. It is unusual even for native Japan, not to mention the Western world. The main stereotype that accompanies all his work is pornography and scandalousness, but Araki is much deeper than superficial shocking.
This is a real follower of the traditions of his native island – in this case, the traditions of erotic engravings ukiyo-e, which inspired another famous Japanese photographer Eiko Hosoe. Works in which it is difficult to feel the transition from languid eroticism to bandage, pornographic “pictures” are consonant with the aesthetics of shung. To accept them, especially during the years of the rule of public puritanism, was difficult.
Because of his work, the photographer constantly gets fines and even gets to the police. In 1988, the magazine “Sasin Dzidai” published the photographer’s work, which was considered frank and illegal pornography and seized the entire circulation. The publication closed, and Nobuyoshi Araki testified for a long time in the precinct. This did not stop him, as did the scandals that regularly occur in Japan and the West – activists regularly oppose him. Continue reading
