SOMETHING ABOUT PRECIOUS LIGHTING FOR PORTRAIT SHOOTING
Behind every good lighting is a shadow that gives shape and size to the subject. The complex interaction between what you illuminate and what you keep in the shadows -…

Continue reading →

Stop the time. Short exposure.
When photographing moving objects, it is possible to ‘stop’ them with the help of a photograph and see all the dynamics of movement at ‘stop pause’. Such pictures almost always…

Continue reading →

What is exposure
Shutter speed is the time that the camera captures the image. When photographing, light is read using the camera’s matrix or using a film. When we do not take a…

Continue reading →

how to apply

9 INTERESTING TECHNIQUES FOR ARCHITECTURAL PHOTOGRAPHY

The correct implementation of the technical part of architectural photography should be the primary task of the photographer, although in addition to this, it is also worth experimenting.

In this article, photographer Simon Bond shares some of the options for creative architectural photography and talks about how you can apply them to your work.

9 interesting techniques for architectural photography
A wide angle lens was used in this photograph of a Tokyo government building from a lower angle (“worm’s eye”)

Change of angle Continue reading

EXPLANATION OF THE METHOD OF DOUBLE DISTANCE
Distance doubling is a way to increase the depth of field of a photo by focusing on the desired distance in the scene. Your goal is to align the foreground…

...

EIKO HOSOE: MODERN JAPANESE PHOTO. CONFIDENCE ON THE VERGE OF FOL
Japanese contemporary art is inextricably linked with the name Eikoh Hosoe. The largest representative of the avant-garde of the 60s of the XX century, the director and photographer throughout his…

...

HOW TO PHOTO THE NIGHT CITY. RULES, ADVICE, TALKS AND RECOMMENDATIONS
Photographer Matt Perry shows how to transform eye-catching cityscapes into breathtaking images while working harmoniously with the surroundings and city lights. Photo by Matt Parry Combine natural light with artificial…

...